Thursday, August 29, 2013
My Reactions to Miley Cyrus' VMA Performance: A Pictorial Facsimile
I may or may not write a longer blog post discussing the reservations and various visceral reactions I had with Miley's performance regarding her appropriation of black culture, her performance's objectification of black women, and the various touchy areas regarding her sexuality and "slut-shaming". It will depend on whether I can be asked to devote any more emotion, care, or even the basic ATP needed to fire my neurons to think about Miley Cyrus.
For now, these are reaction images that sum up my feelings. If you'd told me a couple days ago that I would be seeing Miley Cyrus gyrate in underwear on stage at the VMA's, I probably woulda been like:
Friday, August 23, 2013
WHARGARBL 3: GARBL WHAR With A Vengeance
It's been a while since I've done a WHARGARBL post, but I guess it's been a while since there's been a WHARGARBL on the internet so powerful and unjustified that I felt the need to address it. Until today. And I can hardly believe I'm saying this,
but I'm actually ashamed of people on the internet right now.
I didn't think I could feel shame
anymore for what people say or do on the internet...it's basically
pointless. I mean, we're all at least conceptually aware of what
Penny Arcade termed the Greater Internet Fuckwad Theory (G.I.F.T. for
short). G.I.F.T. says that if you give a normal person anonymity and an
audience, they turn into a cancerous fuckwad. It's why little boys on
Xbox Live whose balls haven't even dropped feel confident in
reminding me the number of times they've had prolonged sexual
intercourse with various members of my family. It's practically a
daily part of internet life. But a very special outbreak of butthurt and assholery is currently soaring through the internet today.
Labels:
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Monday, July 15, 2013
Epic Venting: My Thoughts on "Grown-Ups 2" Beating "Pacific Rim" At The Box Office
I'm going to make this short and sweet.
Grown-Ups 2
beat Pacific Rim at
the box office. If you are a human, thinking, feeling agent...and you
decided to see Adam Sandler Pads The Budget For Another
Fartapalooza To Prop Up His Desperate Hack SNL Buddies' Drug Habits
And Egos 2 instead of seeing
literally the most fun I've had at the movies since I was a child, a
product of love, a revolutionary and iconic piece of production
design, not to mention the most heart I've seen in a blockbuster
possibly in at least a decade, then the blood of cinema is on your
hands. It will never go away.
You
can wash, and you can wash, and you can make excuses. But they're
shit. There are no excuses for Grown-Ups 2.
Every summer, when another Lone Ranger
or Jack And Jill 2: Christ Just Slit My Throat Already
comes out, when another Transformers 2: Let's Set Back Some
Civil Rights makes hundreds of
millions at the box office, you will look at your hands and see the
stains. They're brown, by now...blood does that when it dries. You'll
use that to push it out of your mind...couldn't be blood! Blood's
red, and this isn't the same color anymore. But it is blood. Every
movie trip...every time Hollywood repackages a kids' cartoon or a
60's TV show; anytime they head to the Rights Graveyard and crack open
the coffin of anything, fucking ANYTHING that they recognize, you
will stare at your hands and see the rusty streaks from when you walked up
behind cinema and stabbed it through the back, between the ribs. It
tried to cry out, you see...but it can't. You collapsed its lung. And
the blood, it just flowed and flowed and flowed...you didn't think a
thing could bleed so much. But it could.
I
guess what I'm saying is, Adam Sandler is a hack, and possibly a war
criminal. Pacific Rim is
tits. It's everything I ever wanted out of it and more...I smiled
with an innocence, wonder, and giddiness I didn't know I still had.
My screening was at 5:30 on a Sunday and the entire theater still
cheered and applauded
multiple times. It deserves your time and your money. Grown-Ups
2, if it were a person, would
deserve a life-long and calamitous case of dysentery. The choice is
clear.
Sunday, June 30, 2013
Christian and Bruce In: The Advancing Case of Butthurt
“Advancing” having the
disease-related meaning. See, I think Bruce Willis and Christian Bale
both suffer from a similar career ailment.
I was dicking around on Youtube and
happened upon the entire pilot of “Moonlighting”. Not to narc
(WACHUN THINGS FO FREE IS WRANG), but for those of you who are
unfamiliar, “Moonlighting” was the big break of Bruce Willis.
What's shocking is that he doesn't play a beleaguered lone wolf cop,
he doesn't play a cop who plays by his own rules, he doesn't even
play a police officer who routinely disregards the procedures of his
department. He plays a smarmy, charming private detective, who will
mug at any opportunity and sounds like he walked out of His Girl
Friday. And he's a god-damned
revelation. He's hilarious, and you wonder what the hell happened to
that side of him. I'll tell you: Hudson Hawk
happened.
Thursday, June 27, 2013
This Movie's Underrated: George Romero's "Day of the Dead"
Chances are that
most of you have seen at least one type of zombie movie whether its tone
tended towards actual horror, like 28 Days Later, comedy, like
Shaun of the Dead, or ruining good things like World War Z.
Given that variety, it's surprising that essentially the entire
zombie genre as we know it today can be traced to one film: George
Romero's Night of the Living Dead. This film established
literally every rule about the modern conception of a zombie, as well
as the modern conception of a zombie apocalypse: they shamble about,
their heads are their only killing zone, they crave human flesh. Even
the idea of a zombie as an exclusively undead creature (as opposed to
voodoo zombies, which are basically brainwashed people) owes its
existence to Night. Night's sequel, Dawn of
the Dead, went even further, exploring the breakdown of society
and government in the aftermath of a zombie outbreak, and codified
basically all of the tropes you usually see in zombie apocalypse
movies. Hence, it's easy to see why Night and Dawn are
undisputed classics, even though the effects in Dawn have aged
about as well as DOMA.
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| TOPICAL! |
Wednesday, May 29, 2013
Help Me I Don't Even What Is This: “Full Metal Jacket”
Memorial Day just came and went, and
usually I watch war movies to celebrate. But specifically war movies
that convey the idea that war is hell, even if it is sometimes
justified. In past years I've watched “Paths of Glory”, “A
Bridge Too Far”, and “Saving Private Ryan”, but this year I
thought I'd pop in a war movie that's constantly referenced and
considered a “classic” but that I hadn't seen yet, and that's
Full Metal Jacket.
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| So do the prostitutes, as the movie makes abundantly clear. |
Saturday, May 25, 2013
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